Friday, August 17, 2012

Best Sci-Fi Romance Date Movies


Back in March 2012, Screen Junkies compiled a neat-o list about sci-fi romance films that a het couple could enjoy together. The assumption they make is that a woman might need a little bit of romance in order to find SF films appealing. 


I would argue, however, that anyone of any orientation whose movie tastes diverge from his/her significant other could very well find some common ground in science fiction romance, a subgenre that mixes tech and tenderness. 

Now if only filmmakers and studios could become brave enough in the near future to create and release mainstream (or at least high-profile niche) LGBT sci-fi romance movies—not to mention SFR films with people of color in the starring roles. Because once I gave the list a final once-over, I realized that it reveals glaring omissions. For films with a futuristic setting and the diversity that element promises, they are strongly focused on the heteronormative and so very...white.

That said, I believe SFR is a great vehicle for more diversity in the film medium. I will certainly be on the lookout for such experiences.

Before I share the link, be warned that there is (salaciously) mature content currently featured with the post as of this writing. Also, the formatting is messed up. :P

The title of the Screen Junkies post is 6 SciFi Romance Movies Men and Women Will Love. In case you prefer to not click over (and I almost wish I hadn’t because now there’s one particular image I can’t scrub from my brain. Oy.), I’m presenting the films Screen Junkies recommended and also added a few of my own.

Wednesday, August 15, 2012

Why Ruth Ann Nordin's SUDDENLY A BRIDE Chilled Me To The Bone


When I received a heads up a few months ago from a fellow blogger about Ruth Ann Nordin’s SUDDENLY A BRIDE being available for free at Amazon (Kindle edition), I grabbed it, especially in light of the fact that the story blurb reminded me of the post at Smart Girls Love Sci-Fi and Paranormal Romance on science fiction romances that feature the “Mars Needs Women” trope (see also my previous commentary on the topic (scroll down)):

Rilo An comes from a world where there are no women, and what he longs for is a life mate: someone who will complete him, someone he can love who’ll love him back, someone who’ll ease the aching loneliness that haunts his life.

So he leaves his world, takes on the Earth name Chris West, and makes a payment to Star Systems Unlimited for a life mate. When he bonds with her, he thinks life can’t get any better.  Except she was married before, and memories of her deceased husband still linger around her home.  Will he find a place in her heart or will he have to become like her first husband in order to get her love?

I thought it might be fun to sample a “Mars Needs Women” story, because hey, you never know, and the free price tag increased incentive.

For some reason, the author lists SUDDENLY A BRIDE under the “Contemporaries” section of her Chronological Order of My Books page. It has all the hallmarks of a sci-fi romance to me, although she does tag it with “a twist of sci-fi” in her general books section.

Based on my reading of the first third, I think there’s more than a “twist” however. Allow me to explain (minor spoilers ahead).

The tone of this story is very earnest. So earnest, in fact, that it’s impossible to miss the heavily emphasized social commentary/subtext regarding monogamy, procreation, and heteronormative relationships. In a nutshell, all are on a pedestal of extreme proportions.

When the hero (from the planet Pandoran) and heroine (from Earth, natch) consummate their relationship very early on in the story (and in their romance), the heroine is under the influence of a powerful sex hormone that the hero knowingly emits. Said heroine is unaware that she’s being influenced in such a way. The hero had previously taken medication to suppress his sexual and procreation urges, but now that he’s on the hunt for a life mate, it’s not necessary. Erm…okaaaay.

So even though the story is delivering a fantasy of uninhibited sex, it’s couched in a forced seduction scenario. Not only that, but the hero has deceived the heroine in an utterly appalling way. I started to suspect that this part of the romance wasn’t just about the sexual journey of the hero and heroine and/or erotic titillation.

I’m a fan of uninhibited sex fantasies in SFR, but my experience of SUDDENLY A BRIDE so far made me realize that execution of said fantasy makes a monumentally significant difference in terms of my ability to engage with it. 

And the heroine's name is Caitlyn, by the way. I'm disheartened that her name apparently wasn't deemed important enough to be mentioned in the blurb.

Also, the idea that an alien corporation—“Star Systems Unlimited”—with the power to play interstellar matchmaker so the men on a female-less planet can find chicks to go all the way feels incredibly patriarchal and misogynistic to me. And the reason why Chris’s planet lacks women is even more chilling (as he explains to the heroine):

“…There was a time on my planet where men and women married and had children, like you do here. Then some people decided to make babies in labs. At first, it was an experiment to see if it was possible, but then the women decided it was better to have children that way instead of going through pregnancy and childbirth.

“Needless to say, that left men out of the equation. Women no longer wanted to marry us and have our children. Over the course of two centuries, men developed the ability to entice women to bond with them…the first time we have sex, we establish a life bond…This was why women didn’t want to have sex with us. They knew as soon as they did, they’d be trapped and have to go through pregnancy and childbirth.

“But it was more than avoiding physically having a child…with genetic manipulation, they were able to make perfect children…In response, men realized that they were unable to pass on their genes to the next generation. So they developed the ability to emit a sex hormone to make the female of his choice have sex with him, and that established a life bond that led to children.”

So, hmm, let’s see, the women were smart and figured out a way to avoid the dangers and inconveniences of childbirth. As a result, the men felt threatened and in retaliation worked up a scientific sex hormone leash to keep those uppity women under control. Eventually, as the hero explains further, these events led to a battle of the sexes. The women tried to defeat the sex hormone but in so doing rendered themselves unable to conceive female children.

o_O

To me, the implied subtext of the above passage was that sex outside of marriage in that culture is wrong. And what the hero doesn't say speaks volumes: Women circumvented childbirth, but they stopped having sex with the men, too? No wonder I shuddered while reading the consummation scene—it was payback time. Chris was the weapon and Caitlyn was his target.

Then later, Chris has this “enlightening” bit of introspection:

He didn’t know why women on his planet suddenly decided they didn’t want to bear children anymore, but their role had been a crucial one. Maybe the men had taken it for granted. He wouldn’t.

There was such a missed opportunity here to show the story implied in that last passage. I would actually be interested in reading a “Mars Needs Women” story wherein the men took women for granted and paid for it with near-extinction. Then the romance could focus on one hero’s attempt to redeem the males of his species (without any kind of heavy-handed seduction).

Unfortunately, SUDDENLY A BRIDE isn’t that story based on what I’ve read so far. Much of my conclusion has to do with Chris’s character having an unsettling dichotomy. While he seems to worship the heroine and is committed to a long-term relationship with single-minded focus, his behavior indicates that he lacks the intent/ability to overcome the sins of his fathers. I guess that version is too much to expect anyway since the story insists that the threats of extinction are the fault of Pandoran’s women. “Pandoran”—get it? Le heavy sigh.

Will the “Mars Needs Women” trope ever become progressive/subversive enough for my tastes? Only time, and more sci-fi romances, will tell.

Joyfully yours,

Heather

Monday, August 13, 2012

SFR News & Links Extra


Smart Girls Love Sci-Fi and Paranormal Romance recently featured a post called Ghost Men and Virtual Lovers by Kirby Crow (as part of the Circuit Theory Blog Tour). Ms. Crow, with co-author Reya Starck, wrote CIRCUIT THEORY, a July 2012 m/m SFR release from Riptide Publishing.

I’ve been tapped to make a post on the topic of the status of virtual reality lovers in the gay romance genre, which I’ve heard rumored isn’t a popular theme.

To be honest, I’m not certain that it’s not popular. I know that it isn’t being written, but scifi overall isn’t the most popular genre among the writers of gay romance. There’s relatively little of it compared to other romance sub-categories, but that doesn’t mean that the readers for it aren’t out there. I don’t think there have been any target studies in our demographic, but I believe that all we truly know so far is that the pool of gay scifi is limited.

That might be because there are misconceptions about what defines a science fiction story, or it could be because authors tend to have a weather eye trained on what publishers are looking for before they sit down at the keyboard. Either way, we can agree that, while it’s not virgin territory, science fiction itself could certainly use a little more exploration in gay romance.
 Co-sign.

J.L. Hilton posted a teaser excerpt of her forthcoming cyberpunk romantic thriller, STELLARNET PRINCE (November 2012, Carina Press).

At Spacefreighters Lounge, Donna S. Frelick and Laurie A. Green shared their 2012 RWA national conference experiences as aspiring sci-fi romance authors. Here are the highlights:


We got a chance to be up close and personal with these giants of the field of romance publishing and to ask them the questions that really mattered. So when Kevan Lyon, with whom I had a pitch session on Friday, said that she really didn’t care much for science fiction romance, I had the opportunity to approach her personally during the break. Was I wasting her time and mine to pitch her with my SF suspense romances, even though they had both finaled in the Golden Heart?

Well, no, she said. Maybe you’ll be the one to change my mind.

I pitched her on Friday and got a partial request. It remains to be seen whether I can change her mind.

Thursday, August 9, 2012

Could Animated Graphic Novels Open Doors For Sci-Fi Romance?


Author Pauline Baird Jones (KICKING ASHE) kindly sent me a link to a very interesting article (with video) about “Bottom of the Ninth,” a totally rad iPad App:


[Ryan] Woodward has just launched the first animated comic book of its kind – a graphic novel built as an iPad App that comes to life with animation playback right inside the digital pages.

“Bottom of the Ninth” tells the story of a young female pitcher making her debut in a future version of baseball by using a traditional comic layout enhanced with fully animated 2D and 3D animations. With the swipe of a finger, readers can flip pages or play short videos inside story frames.

Woodward is part of the team behind THE IRON GIANT and THE AVENGERS so you know this project of his is going to be cool—especially since it features a female protagonist! Fingers crossed that this venture opens the door wide for animated comic books of all kinds.

Anyway, my first thought after digesting this news was “Please, please will someone make a science fiction romance story in this medium?” OMG that would be so thrilling!

Tuesday, August 7, 2012

The (Cover) Saga Continues: Elizabeth Lang’s “Empire” Series


If you enjoy romantic SF that features a space opera setting and an ensemble cast, you might be interested to know that Elizabeth Lang, author of THE EMPIRE, has come aboard The Galaxy Express to update us on the progression of her politically-charged series.

This series has an interesting story behind it. Back in February 2011, I blogged about THE EMPIRE’s original, technically flawed cover. The publisher responded by approving the creation of a new, much improved cover, and the author invited TGE passengers to give their input. In true HEA style, Ms. Lang wound up with a spiffy new cover that sci-fi romance fans would be proud to show off:


Now, the author is back to report that she continued the cover theme for the next two books.